The death of cinema on film is the human story of those who have been its creators over the last century, among millions of images imprinted and maintained by cellulose from 1895 to the present. For 30 years, Angelo Bottan has dedicated himself to this work with passion: he is the last survivor, along with a few colleagues, of the historic development and printing laboratory in Milan, which saw the images of great Italian filmmakers come to life. Angelo does not want to give up and struggles to keep up his world destined to die away from the spotlight.